mary_j_59: (Drive of Dragons)
On Courage in Teen Literature, part 2

Here is a quote that always bothered me:

…courage is not simply one of the virtues, but the form of every virtue at the testing point, which means, at the point of highest reality. A chastity or honesty, or mercy, which yields to danger will be chaste or honest or merciful only on conditions. Pilate was merciful till it became risky. C.S. Lewis, The Screwtape Letters, cited in http://beinggoodnews.com/2012/01/21/c-s-lewis-on-how-courage-ranks-among-the-virtues/

Another well-known author reiterates Lewis’s point in simpler language:

Courage is the most important of all the virtues, because without courage you can't practice any other virtue consistently. (Maya Angelou, quoted in http://www.brainyquote.com/quotes/quotes/m/mayaangelo120859.html.

What do these authors mean by this? Do they mean we all have to be Gryffindors, or, heaven help us, Dauntless, in order to be good people? And is it even true? Do you have to be brave before you can be consistently loving, or generous, or humble? Couldn’t it work the other way around, so that practicing one of these other virtues could lead you to bravery?

Yes, I think it could. C.S. Lewis himself wrote a remarkable scene in a novel for adults – a scene of resolute heroism on the part of a very young, very frightened woman. It wasn’t until I read another scene, in Elizabeth Wein’s brilliant, harrowing Rose Under Fire, that the scene Lewis had written truly clicked into place for me. Thinking of the two scenes together made me see courage in a new way. Warning – there are some spoilers ahead for both Rose Under Fire and Lewis’s adult novel, That Hideous Strength.A young ATA pilot in WWII Read more... )
mary_j_59: (Default)
This is passed on from eleanor X, who had posted the video to her own livejournal. It really is a terrific song; I can't get it out of my head, and the lyrics (in spite of a couple of infelicitous words like "puppetile" - why not "puppet-like" or simply "puppet's"?) are pretty astonishing. If you watch this, consider the relationship described between Morgana and young Mordred, and then go here:
http://sigune.livejournal.com/93168.html#cutid1

Follow the links for "the Darkest Hour" and read the whole thing - and you will see, quite clearly, what I only just realized. The Arthur legend is, at heart, a revenge tragedy about a seriously disordered family. And young Mordred - if you read him as the instrument of his mother's revenge; there are other ways of reading him - is actually not so much a villain, as the last victim of this family. Why didn't I see this before?

Anyway, the song and the comic are both terrific, and I look forward to reactions to them both. ) BTw, the little fellow who plays Mordred is much, much closer to my idea of young Harry than Dan Radcliffe. For one thing, he is slender and actually has greenish eyes.

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